Munich is a 2005 American-Canadian historical drama and political thriller film based on Operation Wrath of God, the Israeli government's secret retaliation against the Palestine Liberation Organization after the Munich massacre at the 1972 Summer Olympics. The film was produced and directed by Steven Spielberg and written by Tony Kushner and Eric Roth.
Based on the book Vengeance about Yuval Aviv, who states he was a Mossad agent, Munich follows a squad of assassins as they track down and kill alleged members of the group Black September, which had kidnapped and murdered eleven Israeli athletes.
Shot in Malta, Budapest, Paris and New York City, Munich was a critical success but is also one of Spielberg's lowest-grossing films. It garnered positive reviews and five Academy Awards nominations: Best Picture, Best Director (Spielberg), Best Adapted Screenplay (Kushner and Roth), Best Film Editing (Michael Kahn) and Best Original Score (John Williams). Its worldwide box office gross was $130,358,911.
Munich begins with a depiction of the events of the 1972 Munich Olympics and then cuts to the home of Prime Minister of Israel Golda Meir, where Avner Kaufman (Eric Bana), a Mossad agent of German-Jewish descent, is chosen to lead an assassination mission against 11 Palestinians allegedly involved in the massacre. To give the Israeli government plausible deniability and at the direction of his handler Ephraim (Geoffrey Rush), Avner resigns from Mossad and operates with no official ties to Israel. His team includes four Jewish volunteers from around the world: South African driver Steve (Daniel Craig), Belgian toy-maker and explosives expert Robert (Mathieu Kassovitz), former Israeli soldier and "cleaner" Carl (Ciarán Hinds), and a Danish document forger named Hans (Hanns Zischler). They are given information by a shadowy French informant, Louis (Mathieu Amalric).
In Rome, the team shoots and kills Wael Zwaiter, who is broke and living as a poet. In Paris, they detonate a bomb in the home of Mahmoud Hamshari; in Cyprus, they bomb the hotel room of Hussein Abd Al Chir. With Israel Defense Forces (IDF) commandos, they pursue three Palestinians to Beirut—Muhammad Youssef al-Najjar; Kamal Adwan; and Kamal Nasser, a Palestine Liberation Organization (PLO) spokesman—penetrating the Palestinians' guarded compound and killing all three.
Between hits, the often-reluctant assassins argue about the morality and logistics of their mission, expressing fear about their individual lack of experience, as well as ambivalence about accidentally killing innocent bystanders. Avner makes a brief visit to his wife, who has given birth to their first baby. In Athens, when they track down Zaiad Muchasi, the team finds out that Louis arranged for them to share a safehouse with their rival PLO members, and the Mossad agents escape trouble by pretending to be foreign terrorist groups like ETA, IRA, ANC, and the Red Army Faction. Avner has a heartfelt conversation with PLO member Ali (Omar Metwally) over their homelands and who deserves to rule over the lands; Ali is later shot by Carl while the team escapes from the hit on Muchasi.
The squad moves to London to track down Ali Hassan Salameh, who orchestrated the Munich Massacre, but the assassination attempt is interrupted by several drunken Americans. It is implied that these are agents of the CIA, which, according to Louis, protects and funds Salameh in exchange for his promise not to attack U.S. diplomats. Meanwhile, attempts are made on the assassins themselves. Carl is killed by "Jeanette," an independent Dutch contract killer. In revenge, the team tracks her down and executes her at a houseboat in Hoorn, Netherlands. Hans is found stabbed to death on a park bench, while Robert is killed by an explosion in his workshop. Avner and Steve finally locate Salameh in Spain, but again their assassination attempt is thwarted, this time by Salameh's armed guards. It is implied that the amoral Louis has sold information on the team to the PLO.
A disillusioned Avner flies to Israel, where he is unhappy to be hailed as a hero by two young soldiers, and then to his new home in Brooklyn, where he suffers post-traumatic stress and paranoia. He is thrown out of the Israeli consulate after storming in to demand that Mossad leave his wife and child alone. In the final scene, Ephraim comes to ask Avner to return to Israel and Mossad, but is refused by Avner. A final intertitle notes that 9 of the 11 original targets were eventually assassinated, including Salameh in 1979. The World Trade Center is seen in this last shot before the film ends.
- Eric Bana as Avner Kaufman based on Yuval Aviv
- Daniel Craig as Steve
- Ciarán Hinds as Carl
- Omar Metwally as Ali
- Mathieu Kassovitz as Robert
- Hanns Zischler as Hans
- Ayelet Zurer as Daphna Kaufman
- Geoffrey Rush as Ephraim
- Mehdi Nebbou as Ali Hassan Salameh
- Gila Almagor as Avner's Mother
- Karim Saleh as Issa – Luttif Afif
- Michael Lonsdale as Papa
- Mathieu Amalric as Louis
- Ziad Adwan as Kamal Adwan
- Moritz Bleibtreu as Andreas
- Yvan Attal as Tony
- Valeria Bruni Tedeschi as Sylvie
- Meret Becker as Yvonne
- Jonathan Avigdori as Gad Tsobari (Credit as Roy Avigdori)
- Marie-Josée Croze as Jeanette (the Dutch Assassin)
- Lynn Cohen as Golda Meir
- Michael Giannatos as Hotel receptionist
- Ami Weinberg as General Zamir
- Amos Lavi as General Yariv
- Bijan Daneshmand as Kamal Nasser
- Dirar Suleiman as Abu Youssef
- Djemel Barek as Zaid Muchassi
- Félicité Du Jeu as Swiss Bank Official
- Hiam Abbass as Marie Claude Hamshari
- Richard Brake as Belligerent American
- Jane Garioni as Italian girl in the car
- Lisa Werlinder as The girl in the balcony
- Michael Warshaviak as Attorney General Meir Shamgar
- Moshe Ivgy as Mike Harari
- Mouna Soualem as Amina Hamshari
- Rana Werbin as Israeli News Anchor
- Souad Amidou as Yussef's Wife
- Guri Weinberg as Moshe Weinberg (the Israeli wrestling coach and first hostage killed - Guri portrayed his own father)
The film garnered a 78% rating from critics (per Rotten Tomatoes). Roger Ebert praised the film, saying that "With this film [Spielberg] has dramatically opened a wider dialogue, helping to make the inarguable into the debatable." and placed it at No. 3 on his top ten list of 2005. James Berardinelli wrote that "Munich is an eye-opener – a motion picture that asks difficult questions, presents well-developed characters, and keeps us white-knuckled throughout." He named it the best film of the year; it was the only film in 2005 which Berardinelli gave four stars, and he also put it on his Top 100 Films of All Time list. Entertainment Weekly film critic Owen Gleiberman mentioned Munich amongst the best movies of the decade. Differently, Rex Reed from New York Observer belongs to the group of critics who didn't like the film: "With no heart, no ideology and not much intellectual debate, Munich is a big disappointment, and something of a bore."
Variety reviewer Todd McCarthy called Munich a "beautifully made" film. However, he criticized the film for failing to include "compelling" characters, and for its use of laborious plotting and a "flabby script." McCarthy says that the film turns into "...a lumpy and overlong morality play on a failed thriller template." To succeed, McCarthy states that Spielberg would have needed to engage the viewer in the assassin squad leader's growing crisis of conscience and create a more "sustain(ed) intellectual interest" for the viewer.
Chicago Tribune reviewer Allison Benedikt calls Munich a "competent thriller", but laments that as an "intellectual pursuit, it is little more than a pretty prism through which superficial Jewish guilt and generalized Palestinian nationalism" are made to "... look like the product of serious soul-searching." Benedikt states that Spielberg's treatment of the film's "dense and complicated" subject matter can be summed up as "Palestinians want a homeland, Israelis have to protect theirs." She rhetorically asks: "Do we need another handsome, well-assembled, entertaining movie to prove that we all bleed red?"
Another critique was Gabriel Schoenfeld's "Spielberg's 'Munich'" in the February 2006 issue of Commentary, who called it "pernicious". He compared the fictional film to history, asserted that Spielberg and especially Kushner felt that the Palestinian terrorists and the Mossad agents are morally equivalent and concluded: "The movie deserves an Oscar in one category only: most hypocritical film of the year."
Writing in Empire, Ian Nathan wrote "Munich is Steven Spielberg’s most difficult film. It arrives already inflamed by controversy... This is Spielberg operating at his peak — an exceptionally made, provocative and vital film for our times."
In defense of the climactic sex scene, critics Jim Emerson of the Chicago Sun-Times and Matt Zoller Seitz of Salon compared it to Lady Macbeth's suicide in Shakespeare's Macbeth, interpreting the sequence as representing the corruption of Avner's personal life as a result of his being conditioned to kill others in order to avenge Munich.
Some reviewers have criticized Munich for what they call the film's equating the Israeli assassins with "terrorists". Leon Wieseltier wrote in The New Republic, "... Worse, 'Munich' prefers a discussion of counter-terrorism to a discussion of terrorism; or it thinks that they are the same discussion".
Melman and other critics of the book and the film have said that the story's premise—that Israeli agents had second thoughts about their work—is not supported by interviews or public statements. A retired head of Israel's Shin Bet intelligence service, Avi Dichter, formerly the Internal Security Minister, likened Munich to a children's adventure story: "There is no comparison between what you see in the movie and how it works in reality," he said in an interview with Reuters. In a Time magazine cover story about the film on December 4, 2005, Spielberg said that the source of the film had second thoughts about his actions. "There is something about killing people at close range that is excruciating," Spielberg said. "It's bound to try a man's soul." Of the real Avner, Spielberg says, "I don’t think he will ever find peace."
The Zionist Organization of America (ZOA), describing itself as "the oldest, and one of the largest, pro-Israel and Zionist organizations in the United States", called for a boycott of the film on December 27, 2005. The ZOA criticized the factual basis of the film, and leveled criticism at one of the screenwriters, Tony Kushner, who the ZOA has described as an "Israel-hater". Criticism was also directed at the Anti-Defamation League's (ADL) National Director, Abraham Foxman for his support of the film.
David Edelstein of Slate argued that "The Israeli government and many conservative and pro-Israeli commentators have lambasted the film for naiveté, for implying that governments should never retaliate. But an expression of uncertainty and disgust is not the same as one of outright denunciation. What Munich does say is that this shortsighted tit-for-tat can produce a kind of insanity, both individual and collective."
Illano Romano, wife of an Israeli weightlifter slain in the Munich massacre, pointed out that Spielberg overlooked the Lillehammer affair, although Spielberg seems to have been conscious of the omission; the film's opening title frame shows Lillehammer in a montage of city names, with Munich standing out from the rest. The Jewish Journal said that "the revenge squad obsess about making sure only their targets are hit -- and meticulous care is taken to avoid collateral damage. Yet in one shootout an innocent man is also slain ... The intense moral contortions the agents experience as the corpses pile up makes up the substance of the movie."
Although Munich is a work of fiction, it describes many actual events and figures from the early 1970s. On the Israeli side, Prime Minister Golda Meir is depicted in the film, and other military and political leaders such as Attorney General Meir Shamgar, Mossad chief Zvi Zamir and Aman chief Aharon Yariv are also depicted. Spielberg tried to make the depiction of the hostage-taking and killing of the Israeli athletes historically authentic. Unlike an earlier film, 21 Hours at Munich, Spielberg's film depicts the shooting of all the Israeli athletes, which according to the autopsies was accurate. In addition, the film uses actual news clips shot during the hostage situation.
The named members of Black September, and their deaths, are also mostly factual. Abdel Wael Zwaiter, a translator at the Libyan Embassy in Rome, was shot 11 times, one bullet for each of the victims of the Munich Massacre, in the lobby of his apartment 41 days after Munich. On December 8 of that year Mahmoud Hamshari, a senior PLO figure, was killed in Paris by a bomb concealed in the table below his telephone. Although the film depicts the bomb being concealed in the telephone itself, other details of the assassination (such as confirmation of the target via telephone call) are accurate. Others killed during this period include Mohammed Boudia, Basil al-Kubasi, Hussein al-Bashir, and Zaiad Muchasi, some of whose deaths are depicted in the film. Ali Hassan Salameh was also a real person, and a prominent member of Black September. In 1979 he was killed in Beirut by a car bomb that also killed four innocent bystanders and injured 18 others.
The commando raid in Beirut, known as Operation Spring of Youth, also occurred. This attack included future Israeli Prime Minister Ehud Barak and Yom Kippur War and Operation Entebbe hero Yonatan Netanyahu, who are both portrayed by name in the film. The methods used to track down and assassinate the Black September members were much more complicated than the methods portrayed in the film; for example, the tracking of the Black September cell members was achieved by a network of Mossad agents, not an informant as depicted in the film.
Atlantic Productions, producers of BAFTA-nominated documentary Munich: Mossad's Revenge, listed several discrepancies between Spielberg's film and the information it obtained from interviews with Mossad agents involved in the operation. It noted that the film suggests one group carried out almost all the assassinations, whereas in reality it was a much larger team. Mossad did not work with a mysterious French underworld figure as portrayed in the book and the film. The assassination campaign did not end because agents lost their nerve but because of the Lillehammer affair in which an innocent Moroccan waiter was killed. This is not mentioned in the film. The targets were not all directly involved in Munich, which Spielberg only acknowledges in the last five minutes.
As mentioned above, the film notably ignored the Lillehammer affair, where Israeli assassins killed a Moroccan waiter, Ahmed Bouchiki, mistaking him for Ali Hassan Salameh. Bristol University History professor Stephen Howe says: "one major puzzle has gone almost unremarked. If... the key (and in itself laudable) impetus for the film's making was the moral questioning prompted by Israeli 'counter-terrorist' actions, why focus on these particular episodes? The film doesn't even include the most glaring and notorious failure, which was also perhaps the most indefensible act... This was the killing in Norway of a hapless and harmless Moroccan waiter, mistaken for alleged Black September boss Ali Hassan Salameh." The agents who were responsible for the killing were tried and convicted in Norway of murder. Israel compensated the victim's family but never took responsibility for the assassination.
The soundtrack album was nominated for the Academy Award for Best Original Score but lost to the score of the film Brokeback Mountain. It was also nominated for the Grammy Award for Best Score Soundtrack for Visual Media but lost to the score of Memoirs of a Geisha (also scored by Williams).
AllMusic rated the soundtrack three and a half stars out of five. Filmtracks.com rated it four out of five. SoundtrackNet rated it four and a half out of five. ScoreNotes graded it "A-".
Awards and nominations
- List of Israeli assassinations
- Extrajudicial killing
- Operations conducted by the Mossad
- Palestinian political violence
- Sword of Gideon
- ↑ 1.0 1.1 1.2 Munich (2005). Box Office Mojo. Retrieved on 27 August 2015.
- ↑ "Munich highlights Malta's versatility", Times of Malta, 22 December 2005. Retrieved on 27 August 2015.
- ↑ Steven Spielberg. boxofficemojo.com.
- ↑ Ebert, Roger. "A telephone call with Spielberg", Chicago Sun-Times, 25 December 2005. Retrieved on 29 August 2015.
- ↑ Ebert, Roger. "Reviews: Munich", Chicago Sun-Times, 22 December 2005. Retrieved on 29 August 2015.
- ↑ Ebert, Roger. "Ebert's Best 10 Movies of 2005", Chicago Sun-Times, 18 December 2005. Retrieved on 29 August 2015.
- ↑ Berardinelli, James. Munich (United States, 2005). Reelviews. Retrieved on 29 August 2015.
- ↑ 4 Stars in 2005. Retrieved on 29 August 2015.
- ↑ James Berardinelli's All-Time Top 100. Retrieved on 29 August 2015.
- ↑ Error on call to Template:cite web: Parameters url and title must be specified (25 December 2009). Retrieved on 29 August 2015.
- ↑ Rex Reed. "Pierce My Heart! 007 is The Matador", The New York Observer, December 26, 2005.
- ↑ Todd McCarthy. "Munich Review", Variety, December 9, 2005.
- ↑ Allison Benedikt. "Movie review: Munich", Chicago Tribune, August 31, 2007.
- ↑ Cohen, Ben (September 11, 2001). Spielberg’s "Munich" Commentary Magazine. Commentary Magazine. Retrieved on July 8, 2012.
- ↑ Empire's Munich Movie Review. Empire online (December 5, 2006). Retrieved on July 8, 2012.
- ↑ "The year's most audacious sex scene", Chicago Sun-Times.
- ↑ Ain, Stewart (December 16, 2005). 'Munich' Refuels Debate Over Moral Equivalency. The Jewish Week. Retrieved on January 6, 2007.
- ↑ Template:Cite journal
- ↑ Urquhart, Conal. "Sharon's aide helps Spielberg promote controversial film", The Guardian, December 19, 2005. Retrieved on May 13, 2010.
- ↑ Richard Schickel. "Spielberg Takes on Terror", TIME, December 4, 2005.
- ↑ 21.0 21.1 Template:Cite press release
- ↑ Template:Cite press release
- ↑ David Edelstein. "Death of a Hit Man", Slate, December 22, 2005.
- ↑ "Sharon aide promotes Munich film", BBC, December 9, 2005.
- ↑ Spielberg's Munich, Ethics and Israel, (Journal of) Israel Studies - 11 (2), Summer 2006, pp. 168-171 
- ↑ The Morality of Revenge, Der Speigel, Erich Follath and Gerhard Spörl, January 23, 2006
- ↑ Munich — A Risky Move for Spielberg Igor Davis, Jewish Journal, December 1, 2005
- ↑ Note: Israeli actor Gur Weinberg, one month old in September 1972 was used to portray his father Moshe, the wrestling coach and first hostage killed.
- ↑ Harari Evidence Copi
- ↑ MIDDLE EAST: Death of a Terrorist. TIME.com (5 February 1979).
- ↑ Klein, Aaron J. (December 22, 2005). 'Striking Back' Look at Munich Killings, Aftermath. NPR. Retrieved on July 8, 2012.
- ↑ MacAskill, Ewen. "Munich: Mossad breaks cover", The Guardian, January 26, 2006. Retrieved on May 13, 2010.
- ↑ Munich: Spielberg's Failure. openDemocracy (January 26, 2006).
- ↑ "An Eye For An Eye", CBS, November 20, 2001.
- ↑ Calahan, Alexander B (March 1, 1995). Countering Terrorism: The Israeli Response to the 1972 Munich Olympic Massacre and the Development Of Independent Covert Action Teams. fas.org. Retrieved on November 19, 2012.
- ↑ World News Briefs;Israelis to Compensate Family of Slain Waiter - New York Times (January 28, 1996)
- ↑ Mellgren, Doug. "Norway solves riddle of Mossad killing", The Guardian, March 2, 2000.
- ↑ John Williams – Munich Original Motion Picture Soundtrack. discogs.com. Retrieved on 2014-04-09.
- ↑ [[[:Template:Allmusic]] Allmusic review]
- ↑ Filmtracks rating
- ↑ SoundtrackNet rating
- ↑ ScoreNotes rating
- Girling, Richard. "A Thirst for Vengeance: The Real Story behind Munich", The Sunday Times, January 15, 2006. Retrieved on December 26, 2012. Template:Subscription required
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