What Lies Beneath is a 2000 American psychological horror film directed by Robert Zemeckis. It is the first film by the film studio ImageMovers. It stars Harrison Ford and Michelle Pfeiffer as a well-to-do couple who experience a strange haunting that uncovers secrets about their past. The film opened in 2,813 theaters in North America and grossed $291,420,351. The film received mainly mixed reviews, and received three Saturn Award nominations.
Template:Plot Claire Spencer (Michelle Pfeiffer) is living in Vermont with her husband, renowned scientist Dr. Norman Spencer (Harrison Ford). One year previously, Claire had been involved in a serious car accident that leaves gaps in her memory. Combined with her daughter Caitlin's (Katharine Towne) departure for college, this leaves Claire profoundly affected.
The Spencers — who have moved into the former home of Norman's father — live next door to the Feurs, who have just moved in and frequently engage in loud arguments. Overhearing Mary Feur (Miranda Otto) sobbing one day, Claire becomes concerned. When she sees Mary's husband Warren (James Remar) seemingly dragging something that resembles a body bag in the middle of the night and putting it in the trunk of the car, she suspects that Mary has been murdered.
Claire decides to investigate. After nobody answers the door, she walks around the side of the house and discovers a woman's sandal with a dark stain on it. Claire begins spying on Warren with the help of her best friend Jody (Diana Scarwid). However, Claire soon witnesses strange occurrences when she is alone in the house and becomes convinced that Mary is dead and haunting her.
Desperate for closure, and facing little sympathy from Norman, Claire invites Jody to join her for a séance in her bathroom, where she thinks she will be able to communicate with Mary's ghost. Although the séance provides no results, after Jody leaves, Claire finds a message in the bathroom's mirror that reads "You know".
An anxious Claire goes to Norman's office to inform him of the event, but he instead believes she's trying to call for his attention because he's been busy at work. As they argue while traveling through Norman's campus, Claire encounters Warren and hysterically accuses him of having killed his wife. But Warren responds with confusion before Mary—very much alive—joins him. When Mary speaks with Claire later, she explains that she had left Warren and that he had been packing her belongings when Claire saw him.
The Spencers assume that the ordeal is over, but later a picture breaks in Norman's study. Picking it up, Claire notices a newspaper clipping about a missing girl named Madison Elizabeth Frank (Amber Valletta). She learns that Madison attended the university where Norman was a lecturer. While visiting Madison's mother she steals a braid of Madison's hair. Reading from a book on the supernatural given to her by Jody, Claire uses the hair to perform a ritual that allows Madison to possess her. Norman comes home and Claire seduces him, but Claire morphs into Madison during the tryst, causing Norman to push her away. Claire's memory returns, and she remembers that she had caught Norman and Madison together the night of her car accident. Outraged by Norman's infidelity, Claire spends the night with Jody, who confirms to Claire her suspicion of Norman's affair after having seen him and Madison together in a small cafe in the town of Adamant, unseen by Norman; Jody keeps this information to herself, until she confesses to Claire.
Norman eventually relents: he had a brief relationship with Madison, but realized that he loved Claire too much to leave her and ended the affair, causing the unstable Madison to threaten to kill Claire. He states Madison came to the house, and he found her dead of an overdose. Panicked and unsure of what else to do, he placed Madison's body into her car, which he then pushed into the lake.
Claire urges Norman to contact the authorities, and he agrees to do so. He speaks with the police on the phone, arranges for a police officer to come to the house and then leaves to take a shower. Suspicious of her husband, Claire redials the phone and discovers that he had not really called the police. Norman, who has been hiding and left the shower tap running, suddenly grabs her from behind and sedates her. He drags her to the bathtub, which is still running, and places her in the rising water with the idea that since she cannot move, will drown once the water rises high enough.
Norman then confesses to Claire that his previous story had been a lie; Madison was planning on going to the college's dean about their affair, so he killed Madison and pushed her car and body into the lake. Norman then tells Claire he hopes her death will bring him closer to Caitlin, who looks so much like her. Norman leans over Claire's paralyzed body to give her one final kiss. While doing so, he notices that she is wearing a pendant around her neck. When he picks up Claire's head to adjust it, her face suddenly morphs into the corpse-like face of Madison. He is startled and jumps back, slipping on the wet floor and hitting his head on the sink; he is left bloodied and unconscious on the floor.
Claire, recovering from the sedative, looks over the edge of the bathtub to see that Norman has crawled away, while she was struggling to drain the water. Recovering from the sedative, she crawls out of the bathtub, eventually regaining enough strength to walk down the stairs. The phone has been disconnected, so she tries to drive somewhere that will have cell phone reception. Norman, only stunned at the bottom of the stairs, chases her and jumps into the back of the truck. A ghostlike figure appears in the road, which Claire swerves to avoid, and she drives off the bridge into the same lake into which Norman pushed Madison's car. Underwater, Norman tries to drown her and grabs Claire's leg as she escapes out the window, but Madison's decaying body, disturbed by debris falling from the car, floats up, grabs Norman and forces him to release Claire's leg, so she can swim to the surface. Norman drowns while staring into the dead face of the woman he killed. Madison's body floats to the surface of the lake as the necklace sinks to the bottom.
The following winter, Claire places a single red rose on Madison's grave. The camera pans out, and an image of Madison's face appears in the snow.
- Harrison Ford as Dr. Norman Spencer
- Michelle Pfeiffer as Claire Spencer
- Diana Scarwid as Jody
- Miranda Otto as Mary Feur
- James Remar as Warren Feur
- Katharine Towne as Caitlin Spencer
- Ray Baker as Dr. Stan Powell
- Joe Morton as Dr. Drayton
- Amber Valletta as Madison Elizabeth Frank
- Wendy Crewson as Elena
Documentary filmmaker Sarah Kernochan had adapted a personal experience with the paranormal as a script treatment featuring a retirement aged couple dealing with restless but compassionate spirits. DreamWorks commissioned a rewrite from actor-writer Clark Gregg. This script was later delivered in 1998 by Steven Spielberg himself to his director friend Robert Zemeckis, who had signed a deal for DreamWorks to distribute the films of newly founded production company ImageMovers, and announced interest in doing a thriller film. Harrison Ford then signed to star on the film, even agreeing to clear room in his schedule for the project. Michelle Pfeiffer then followed as DreamWorks started to deal with 20th Century Fox regarding the film's distribution. Ford and Pfeiffer were Zemeckis' first and only choices for the lead roles. Fox agreed to distribute both What Lies Beneath and Zemeckis' other project Cast Away, with the thriller having Fox doing the domestic distribution and DreamWorks the international one.
Zemeckis filmed What Lies Beneath while Cast Away was shut down to allow Tom Hanks to lose weight and grow a beard for his character's development. As Gregg had to remain with production for rewrites, he had to decline Aaron Sorkin's offer to read for a major role in Sports Night - though Sorkin would later write for Gregg a minor role in the final episodes of the series.
What Lies Beneath opened in 2,813 theaters in North America and grossed $29,702,959 for an average of $10,559 per theater. The film ended up earning $155,464,351 domestically and $135,956,000 internationally for a total of $291,420,351 worldwide, close to triple its production budget of $100 million
The film received mainly mixed reviews. The film currently holds a rating of 46% on Rotten Tomatoes based on 124 reviews with an average rating of 5.5 out of 10 with the site's consensus stating that "Robert Zemeckis is unable to salvage an uncompelling and unoriginal film." The film received a score of 51 on Metacritic based on 35 reviews.
The New York Times wrote that, "at the start, [Zemeckis] zaps us with quick, glib scares, just to show he still knows how, but his heart isn't in this kind of material anymore. His reflexes are a little slow." The Los Angeles Times called it "spooky with a polished kind of creepiness added in... What Lies Beneath nevertheless feels more planned than passionate, scary at points but unconvincing overall." The Chicago Sun-Times wrote: "Lacking a smarter screenplay, it milks the genuine skills of its actors and director for more than it deserves, and then runs off the rails in an ending more laughable than scary. Along the way, yes, there are some good moments." Time Out thought that, "after a slow build that at times makes every hair stand on endTemplate:Spaced ndashZemeckis rolls out every thriller cliché there is. A pity, because until then it's a smart, realistically staged, adult-oriented and extraordinarily effective domestic chiller." Empire wrote: "The biggest surprise is, perhaps, that what emerges is no masterpiece, but a semi-sophisticated shocker, playfully homaging Hitchcock like a mechanical masterclass in doing ‘genre’. The first hour is great fun... It’s an enjoyably giddy ride, certainly, but once you’re back from the edge of your seat, you realise most of the creaks and groans are from the decomposing script."
In his review, Ebert said that he felt the problem with Zemeckis' desire to direct a Hitchcockian film was to involve the supernatural (the film contains several musical, visual and plot references to Psycho and Vertigo, among other Hitchcock films), which he believes to be something Alfred Hitchcock himself would never have done.
Harrison Ford and Michelle Pfeiffer both won Blockbuster Entertainment Awards for Favorite ActorTemplate:Spaced ndashSuspense and Favorite ActressTemplate:Spaced ndashSuspense, while Diana Scarwid was nominated for Favorite Supporting ActressTemplate:Spaced ndashSuspense.
The film received three Saturn Award nominations, for Best Horror Film, Best Director (Robert Zemeckis) and Best Actress (Michelle Pfeiffer), but lost to Final Destination, Bryan Singer for X-Men and Tea Leoni for The Family Man, respectively.
- Template:Cite press release
- ‘Beneath’ pairs Ford, Zemeckis; D’Onofrio nabs ‘Abbie”, Variety, June 4, 1998. Accessed November 26, 2016
- Fleming, Michael. Pfeiffer joins Ford in ‘What’, Variety, October 16, 1998. Accessed November 26, 2016.
- Petrikin, Chris. Pairing for Zemeckis, Variety, October 14, 1998. Accessed November 26, 2016.
- Kehr, Dave. 'Cast Away' Director Defies Categorizing, The New York Times, December 17, 2000. Accessed November 26, 2016.
- What Lies Beneath Movie Reviews, Pictures. Rotten Tomatoes. Retrieved on December 26, 2009.
- What Lies Beneath reviews. Metacritic. Retrieved on December 26, 2009.
- Mitchell, Elvis (July 21, 2000). 'What Lies Beneath': If Only Her Husband Hadn't Made That Horrible Mistake. New York Times.
- Turan, Kenneth (July 21, 2000). What Lies Beneath – MOVIE REVIEW. Los Angeles Times. Archived from the original on July 27, 2010.
- Roger Ebert (July 21, 2000). What Lies Beneath :: rogerebert.com :: Reviews. Chicago Sun-Times.
- What Lies Beneath Review – Film. Time Out. Retrieved on December 26, 2009.
- Review of What Lies Beneath. Empire. Retrieved on December 26, 2009.
- What Lies Beneath (2000) – Awards. IMDB. Retrieved on December 26, 2009.
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